Canon EOS C500 video kamera, 16GB HDD, 8.8Mpx, full HD
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Canon EOS C500 EF RAW 4K Cinema Camera digitalna videokamera (6345B003)
Canon EOS C500 EF RAW 4K Cinema Camera digitalna videokamera (6345B003) ZNAČAJKE: 4K RAW (4096 x 2160) Output EF Lens Mount for Broad Compatibility 8.8 Mp Super 35mm-Size CMOS Sensor Also Puts Out 2K, Quad HD & Full HD 2x 3G-SDI Outputs 50 Mb/s Proxy HD Recording to CF Card 10-Bit 4K RAW at Up to 60p 10-Bit 4K Half RAW at Up to 120p 12-Bit 2K 4:4:4 Signal at Up to 60p Canon Log Gamma SPECIFIKACIJE: Sensor Effective Pixels 4096 x 2160 pixels, approx. 8.85 megapixels Total Pixels 4206 x 2340 pixels, approx. 9.84 megapixels Sensor Type CMOS Scanning System Progressive Filter RGB Primary Color Filter (Bayer Array) Processor Digic DV III Minimum Illumination 59.94 Hz Mode: 0.3 Lux (f/1.2, 24 dB, 29.97p, 1/30 sec.) 50.00 Hz Mode: 0.25 Lux (f/1.2, 24 dB, 25p, 1/25 sec.) Sensitivity 59.94 Hz Mode: F9 (1920 x 1080/59.94i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection) 50.00 Hz Mode: F10 (1920 x 1080/50i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection) S/N Ratio 59.94 Hz Mode: 54 dB (1920x1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%) 50.00 Hz Mode: 54 dB (1920x1080/25p, Canon Log, ISO 850, Dynamic Range 800%) Dynamic Range During Normal Shooting: 300% With Canon Log Gamma: 800% (ISO 850 or above, gain 2.5dB or above) Lens System Mount Type EF ND Filter Mechanical ND filter system with option of clear, 2, 4, and 6 stops Iris Dial Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control Peripheral Illumination Correction Yes Exposure Control Gain Normal Setting: -6 ~ 30 dB Fine Setting: 0 ~ 24 dB in 0.5 dB increments ISO 320 ~ 80,000 Shutter Modes OFF; Speed; Angle; Slow Shutter; Clear Scan Speed Mode is selected in 1/3 or 1 stop increments Shutter Speed Range 59.94i/59.94p: 1/60 ~ 1/2000 in 1/4 or 1/3 stops SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz 29.97p: 1/30 ~ 1/2000 in 1/4 or 1/3 stops SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.27 Hz 23.98p/24p: 1/24 ~ 1/2000 in 1/4or 1/3 stops SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.27 Hz 50i/50p: 1/50 ~ 1/2000 in 1/4 or 1/3 stops SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.78 Hz 25p: 1/25 ~ 1/2000 in 1/4 or 1/3 stops SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.78 Hz Shutter Angle Settings 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25 29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25 23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25 25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25 Iris Control With compatible EF lenses: 1/2, 1/3 stop, or fine setting White Balance Kelvin Setting: 2,000K ~ 15,000K in 100K increments Presets: Daylight (5,400K); Tungsten (3,200K); Kelvin White balance shift is available within Presets (-9 to +9) Auto Black Balance Yes Recording External Recording Output 4K RAW 10bit 4096x2160 or 3840x2160 at 59.94p/29.97p/23.98p/50p/25p/24p 4K RAW 10bit 4096x1080 or 3840x1080 at 62p up to 119.88p in 2 frame steps 2K RGB 444 12bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p) 2K RGB 444 10bit 2048x1080 or 1920x1080 at 59.94p/29.98p/23.98p/50p/25p/24p) 2K YCC 422 10bit 2048x1080 or 1920x1080 62p up to 119.88p in 2 frame steps Compression Video: 8 Bit MPEG-2 Long GOP Audio: Linear PCM; 2-Channel; 16-Bit; 48 kHz Maximum Bit Rate 50Mbps (CBR) Recording Options 50 Mbps (CBR) 4:2:2 422P@HL 1920x1080 at 59.94i/29.98p/23.98p/50i/25p/24.00p 1280x720 at 59.94/29.98p/23.98p/50p/25p/24.00p 35 Mbps (VBR) 4:2:0 MP@HL 1920x1080 at 59.94i/29.98p/23.98p/50i/25p 1280x720 at 59.94/29.98p/23.98p/50p/25p 25 Mbps (CBR) 4:2:0 MP@H14 1440x1080 at 59.94i/29.98p/23.98p/50i/25p Recording Time 2GB: 5 min (at 50 Mbps), 5 min (at 35 Mbps), 10 min (at 25 Mbps) 4GB: 10 min (at 50 Mbps), 10 min (at 35 Mbps), 20 min (at 25 Mbps) 8GB: 20 min (at 50 Mbps), 25 min (at 35 Mbps), 40 min (at 25 Mbps) 16GB: 40 min (at 50 Mbps), 55 min (at 35 Mbps), 80 min (at 25 Mbps) 32GB: 80 min (at 50 Mbps), 110 min (at 35 Mbps), 155 min (at 25 Mbps) 64GB: 160 min (at 50 Mbps), 225 min(at 35 Mbps), 310 min (at 25 Mbps) Recording Media CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported SD/SDHC/SDXC cards (JPEG), Custom Picture Data*, Clip Metadata, and menu settings *Custom Picture Data and settings are not compatible with data from others Canon models File Format MXF (OP-1a) Maximum Clip Number 999 (per media) Audio Features Recording Channel Selection: CH1/CH2, CH1/CH1, CH2/CH2, ALL CH/ALL CH XLR Mic Trimming: -12dB, -6 dB, 0dB or +12 dB Limiter: available Recording Level Adjustment Range: - Infinity to +18dB Phantom Power: +48V Headphone Adjustment: 16 Settings (volume is muted at lowest setting) 1 KHz Tone: -12, -18, or -20 dB Slow and Fast Motion Recording This feature records at a different frame rate then the playback rate, allowing for fast and slow motion effects. Slow and Fast Motion Recording is available in 4K and 2K modes to external recording devices. 4K...11.148,58 €
83.998,98 kn
Canon EOS C500 PL RAW 4K Cinema Camera digitalna videokamera (6346B003)
Canon EOS C500 PL RAW 4K Cinema Camera digitalna videokamera (6346B003) ZNAČAJKE: 4K RAW (4096 x 2160) Output PL Lens Mount to Accept Cinema Lenses 8.8 Mp Super 35mm-Size CMOS Sensor Also Puts Out 2K, Quad HD & Full HD 2x 3G-SDI Outputs 50 Mb/s Proxy HD Recording to CF Card 10-Bit 4K RAW at Up to 60p 10-Bit 4K Half RAW at Up to 120p 12-Bit 2K 4:4:4 Signal at Up to 60p Canon Log Gamma The Canon EOS C500 4K Cinema Camera (PL Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 PL camera, the EOS C500 PL fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI. The C500 PL also has a body type in common with the C300 PL. Featuring large, accessible buttons with ridges dividing them, the EOS C500 PL has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500 PL's 3G-SDI outputs. The Canon EOS C500 PL integrates with time-tested feature film production workflows. As 4K RAW data is being recorded externally, you can record proxy files at 50 Mb/s to the camera's internal CF card so rough-cut or dailies editing can begin immediately after a scene is complete. For the widest latitude for color correction in post-production, the camera offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range. As its name suggests, the EOS C500 PL features a PL mount for compatibility not only with a broad range of compatible cine lenses from manufacturers like Angenieux and Zeiss, but also with Canon's burgeoning line of Cinema EOS lenses for PL mount. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor of this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing. Canon Super 35mm CMOS Sensor Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an effective resolution of 4096 x 2160. The image sensor employs an innovative readout technique that delivers full-bandwidth individual RGB video components without the need for any de-Bayering algorithms RAW 4K Output Using a single 3G-SDI output, the C500 PL is able to output a full 4K RAW (4096 x 2160-pixel) data stream in 10-bit color space, with full Bayer encoding and frame rates up to 60 fps. Using both of the camera's 3G-SDI outputs, the frame rate can jump as high as 120 fps, but with the horizontal resolution reduced by half and then interpolated back in Canon Log Gamma Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. This nonlinear transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image Canon EOS C500 with PL Lens Mount Designed to integrate into existing production setups, the EOS C500 PL is fully compatible with a wide variety of industry-standard PL-mount lenses, ensuring it will work seamlessly with trusted optics already in the filmmaker's possession. Compatibility with Canon's existing PL mount lenses means filmmakers can take advantage of the new optical designs Canon has developed for the cinema market Canon Cinema EOS Lenses, Available in PL Mount Some Canon Cinema EOS lenses (sold separately) are available in both PL and EF configurations. They're designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon Cinema EOS lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh – and innovative glass construction counteracts barrel expansion and contraction to avoid...11.148,58 €
83.998,98 kn
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